WEBVTT 00:00.000 --> 00:16.260 The following program is being brought to you in living color on NBC by the W.A. Schaefer 00:16.260 --> 00:30.960 Pen Company. Jimmy Garanti in Give My Regards to Broadway. 00:30.960 --> 00:51.200 Everything that happens in life can happen in a show. You can make them laugh, you can 00:51.200 --> 01:03.080 make them cry. Anything, anything can go. The clown with his pants falling down, all 01:03.080 --> 01:12.280 the dance, that's a dream of romance. All to see where the villain is mean, that's 01:12.280 --> 01:21.160 entertainment to play. That's a hit on Broadway. All to pause just before the applause. 01:21.160 --> 01:28.160 To pause the bright lights on the opening nights, that's entertainment. 01:28.160 --> 01:52.120 Jimmie's guest star, Jane Holland. Jimmy Rogers. Eddie Hodges. And special guest, 01:52.120 --> 02:04.400 Bob Dylan. When you can't find the best of the clothes, when your act stops the show, 02:04.400 --> 02:14.200 all the roar, when they're shouting encore, that's entertainment. The guy who's the 02:14.200 --> 02:25.400 sly private eye that you see every night on TV, or the kid who began like I did, that's 02:25.400 --> 02:32.560 entertainment. The plot may be hot, full of action and thrills. A cop who won't stop 02:32.560 --> 02:40.320 till his job is fulfilled. And all the gangsters he kills brings him fame, fame and glory, 02:40.320 --> 02:48.200 like a typical movie story. The guy may be waving a flag that began back with George 02:48.200 --> 03:02.200 M. Cohen. Hip hurray, the American way. The world is a stage, the stage is a world of 03:02.200 --> 03:22.920 entertainment. Give my regards to Broadway, starring Jimmy Durante. Presented throughout 03:22.920 --> 03:27.560 the United States and Canada by the Schaefer Pen Dealers, who this Christmas feature the 03:27.560 --> 03:33.880 most glamorous gift you can give a woman, and now the newest gift you can give a man. 03:33.880 --> 03:45.920 Good evening, ladies and gentlemen. My name is Alistair Cook. Tonight, I'm gonna tell 03:45.920 --> 03:51.680 you a little about Broadway. No matter where you look, all over the world, Broadway's got 03:51.680 --> 03:59.640 the brightest lights. Broadway runs through Manhattan. Manhattan is an island, and an 03:59.640 --> 04:07.440 island of course is a body of water surrounded entirely by land on the inside. Broadway starts 04:07.440 --> 04:13.200 way down here at the battery, and let's see, where does it go from there? It goes up through 04:13.200 --> 04:18.240 Times Square, Columbus Circle, then all the way to Yonkers. If you were given that answer 04:18.240 --> 04:25.560 before you came on stage, we're in trouble. Say, Eddie, you know Broadway pretty well, 04:25.560 --> 04:30.440 huh? Say, tell me, how long you been in show business? Well, let's see, I was in Hole in 04:30.440 --> 04:44.720 the Head, Music Man. Gosh, I go clear back to 1957. 1957? Unapprentice veteran. You're, 04:44.720 --> 04:51.240 well, sort of my idol. I've always wanted to be just like you. Well, Eddie, you can 04:51.240 --> 04:59.720 be like me, with some luck, a lot of hard work, and a little sloppy plastic surgery. 04:59.720 --> 05:04.640 But if you want to be a real success in this business, you gotta remember one thing, the 05:04.640 --> 05:12.560 most important thing, and that is the audience. Now, this is an audience, and to be a star, 05:12.560 --> 05:20.760 you gotta feel the audience. Go ahead, feel one. Wait a minute, wait a minute, don't 05:20.760 --> 05:33.040 bruise them. It cuts down his applauding power. Now, these are the people I've inspired. 05:33.040 --> 05:40.160 Sometimes it's a bit of a challenge, but remember one thing, Eddie, the audience is important, 05:40.160 --> 05:46.640 especially if you have a lot of relatives in the audience. You know something, Eddie? 05:46.640 --> 06:13.640 Something has always gotta be going on on stage. You're sure great, Mr. Bolger. I wish 06:13.640 --> 06:17.760 I could be like you. Well, you can be, Eddie, with a little luck, a lot of hard work, and 06:17.760 --> 06:26.520 some sloppy plastic surgery. I'm still young. Maybe it'll grow. Oh, no, it'll never. You 06:26.520 --> 06:32.160 have to be born with that, just like you were born with talent. Isn't that true, Jimmy? 06:32.160 --> 06:37.720 Right. You see, Eddie, you take what was given you to start with, work hard at it, become 06:37.720 --> 06:44.120 successful, and when you're my age, you can sit at the fire side and take it easy. If 06:44.120 --> 06:49.280 that's true, what happened to me? I can't answer that question, Mr. Bolger. 06:49.280 --> 06:51.800 Anything. How can you be so nimble on your feet at your 06:51.800 --> 07:02.320 age? Don't you just hate kids yet? At my age? How 07:02.320 --> 07:08.000 old do you think I am, Eddie? Well, you must be close to 36. 07:08.000 --> 07:13.320 Don't you just love kids? I like you, Eddie. 07:13.320 --> 07:16.000 I like you, too. Wait a minute. Let's make it unanimous. I 07:16.000 --> 07:26.400 like the both of you. Pounds, pounds, pounds. Now wherever we go, whatever we do, we're 07:26.400 --> 07:36.320 gonna go through it together. We may not go far, but sure as the stars, wherever we are, 07:36.320 --> 07:45.280 we're together. Wherever I go, I know that he goes. A duo. And wherever we go, we know 07:45.280 --> 07:56.360 he goes. A trio. No fits, no bites, no foods, and no egos. Amigos. Together. So tell me, 07:56.360 --> 08:01.440 what's the difference between a tick and two-ten? Oh, now they're all in. And whether it's 08:01.440 --> 08:08.520 wind place or show? We'll do for me and me for you. We'll muddle through whatever we 08:08.520 --> 08:23.320 do together, wherever we go. Now a few weeks ago, on Frank Sinatra's show, 08:23.320 --> 08:30.600 he sang this with Gino and Bingo. Hey, this is their set. They each holler class. No one 08:30.600 --> 08:40.840 can surpass. Man, it was a gas of a show. Now, Trollsby was as casual as ever. As ever. 08:40.840 --> 08:49.000 Sinatra and Martin were clever. So clever. Let's hope that they never will shepher. 08:49.000 --> 08:57.960 Never and ever. Together. Say, Ray, you be big. Are you kidding? I don't sing. Hey, 08:57.960 --> 09:06.760 let's swing on this thing all together. Hey, yeah. The big and the small. Show off. We're 09:06.760 --> 09:16.920 having a ball here together. We'll play all the best clubs and lodges. Durantor. And Boulder. 09:16.920 --> 09:28.120 And Hutchins. We'll make a great team like the Dodgers. Trick or treat. Together. If 09:28.120 --> 09:36.920 I catch the flu, we'll catch it from you. We'll all sneeze our chew together. We'll do 09:36.920 --> 10:00.920 for me and me for you. We'll muddle through whatever we do. Together. Together. 10:00.920 --> 10:26.920 Wherever. Wherever. Together. Wherever we go. 10:30.920 --> 10:50.280 Well, Jimmy, what are you doing here? You're not a dancer. 10:50.280 --> 10:55.760 I know. But in this type of show, the star always works with the guest. And another thing, 10:55.760 --> 11:01.640 you know in my career, why I've skated with Sonia Henney, bulldogged the stairs with Teroy 11:01.640 --> 11:06.960 Rogers and drowned with Esther Williams. Jimmy, we'd just love to have you dance with 11:06.960 --> 11:14.000 us, but the dance only requires six boys. You fellas want to draw straws? I don't like 11:14.000 --> 11:20.920 being a tyrant, but I'm afraid I must. You leave. I just cut off the rent on your suit. 11:20.920 --> 11:25.560 No, wait, Sasha. Jimmy, you can't let Sasha go because he gives all of the cubes to the 11:25.560 --> 11:45.520 entire group. Sasha, tell me what the cubes are. I'm afraid, Miss Powell, you'll have 11:45.520 --> 11:53.000 to continue without my services. I'm sorry, Jimmy. Oh, that's all right. By the man at 11:53.000 --> 11:58.880 mission of failure, a man spiritually and psychologically attains an eternal demon that 11:58.880 --> 12:05.760 transcends all metaphysical pneumonias documented by human experience. 12:05.760 --> 12:26.960 Bed, bed, I couldn't go to bed, my head's too light to ever set it down. Sleep, sleep, 12:26.960 --> 12:45.640 I couldn't sleep a wink, not for all the jewels in the crown. I could have danced all night, 12:45.640 --> 13:05.800 and still have begged for more. I could have spread my wings and done a thousand things 13:05.800 --> 13:21.720 I've never done before. I'll never know what made it so exciting. Why all at once my heart 13:21.720 --> 13:38.840 began to flutter, I only know when he began to dance with me. I could have danced, danced, 13:38.840 --> 13:54.400 danced all night. 14:09.840 --> 14:32.400 I could have danced, danced, danced all night. 14:32.400 --> 14:59.400 I could have spread my wings and done a thousand things I've never done before. I could have 14:59.400 --> 15:22.400 done a thousand things I've never done before. I could have spread my wings and done a thousand 15:22.400 --> 15:41.400 things I've never done before. I could have spread my wings and done a thousand things 15:41.400 --> 15:57.400 I've never done before. I could have spread my wings and done a thousand things I've never 15:57.400 --> 16:24.400 done before. Sleep, sleep, I couldn't sleep tonight, not for all the jewels in the crown. 16:28.400 --> 16:50.400 That was lovely. That was lovely. You know, if you walk along Broadway far enough, you'll 16:50.400 --> 16:55.400 be clear out of New York. Just keep going west, and when you get to Fort Madison, Iowa, 16:55.400 --> 17:01.400 you'll arrive at the Shaper Pen Company, which up to now didn't even know it was on Broadway. 17:01.400 --> 17:14.400 But if you can't make that longer trip, just go to your nearest store. Looking for a man's 17:14.400 --> 17:22.400 gift? Something different? Not too expensive? Something he'll really go for? Well, here's 17:22.400 --> 17:30.400 the newest gift you can give a man. It's Shaffer's PFM. Pen for Men. The first fountain pen ever 17:30.400 --> 17:36.400 designed exclusively for men. You'll like its new bold styling. You'll like its solid 17:36.400 --> 17:42.400 heft, its man-sized grip, a perfect length for writing. And wait till he sees that exclusive 17:42.400 --> 17:48.400 inlaid point. This one's 14-karat solid gold. It writes the way a man's pen should with 17:48.400 --> 17:53.400 unmistakable character and authority. And he'll be intrigued with Shaffer's exclusive 17:53.400 --> 17:59.400 snorkel pen filling action. Ingenious drinks up a man-sized barrel full of script like 17:59.400 --> 18:05.400 soda through a straw. Even the ladies can appreciate this new loss-proof clip. It grips any thickness 18:05.400 --> 18:11.400 of fabric. And see how neatly it fits straight up and down in his pocket. That's trimness. 18:11.400 --> 18:17.400 No wonder any man would be happy to receive and so proud to own his Shaffer PFM. It has 18:17.400 --> 18:24.400 what it takes to make it any man's lifetime friend. New bold styling. New inlaid point. 18:24.400 --> 18:32.400 No dunk snorkel pen filling. New massive capacity. New loss-proof clip. New trimness in the pocket. 18:32.400 --> 18:40.400 Shaffer's PFM. Pen for Men. You've heard about it here, read about it in the Post and Life. 18:40.400 --> 18:46.400 Now see it in person tomorrow at the fine stores which feature this distinctive display. 18:46.400 --> 18:53.400 Shaffer's PFM is priced from only $10. Beautifully gift boxed, of course, with matching pencil 18:53.400 --> 19:00.400 for men from $14.95. What a small investment for a gift of such lasting value. Just say 19:00.400 --> 19:08.400 PFM. Pen for Men by Shaffer's. It's the newest gift you can give a man. 19:08.400 --> 19:19.400 Good evening, fashion enthusiastics. Clothes are exceedingly important. They not only make 19:19.400 --> 19:25.400 you look good, but when you're falling apart, they hold you together. Broadway often sets 19:25.400 --> 19:30.400 the trend in styles. Miss Powell and I will give you a glimpse of what the smart actors 19:30.400 --> 19:37.400 are wearing this year. First model, please. This is for Maxwell Sheen. 19:37.400 --> 19:45.400 It's an imported black silk formal sheet with huge cocoa and tangerine colored pockets. 19:45.400 --> 19:53.400 The convertible sleeves can also be worn as a cape. Jane, that model is gorgeous. 19:53.400 --> 20:00.400 Oh, I guess she's all right if you like that type. I like it very much. I like to meet it. 20:00.400 --> 20:06.400 Now for the masculine gender. That means fellows. Here is the first of the new styles from 20:06.400 --> 20:13.400 Miss Lee. As you notice, it barely holds half an Italian. There are no pockets, no cuffs. 20:13.400 --> 20:18.400 As a matter of fact, he's lucky they gave him the pants. The feature of this stunning 20:18.400 --> 20:24.400 suit is the vent in the back. It's very smart if you can stand a draft. 20:26.400 --> 20:30.400 Love a man that walks with a swagger, don't you? Yeah, when the suit loosens up, he'll 20:30.400 --> 20:38.400 walk better. And here is a white satin dinner costume with hand embroidered sleeves. 20:38.400 --> 20:43.400 They are sprinkled with brilliance to give importance to the jacket. It is worn over 20:43.400 --> 20:48.400 a formal strapless dress and the bodice is of crushed chiffon. 20:48.400 --> 20:53.400 Jane, I'm sure I've seen that girl somewhere before. Oh, probably in a magazine someplace, 20:53.400 --> 20:56.400 Jimmy. You know, she used to model his and hers hip boots. 20:56.400 --> 21:00.400 Yeah, maybe I didn't recognize her with her boots off. 21:01.400 --> 21:07.400 And now something for the girl outdoor man. This is a shooting jacket. This is a shooting 21:07.400 --> 21:14.400 jacket. This is a shooting jacket fashioned from English tweed and Italian chamois. The 21:14.400 --> 21:18.400 coat is by Baroni. The falcon by Fritz Poultry. 21:18.400 --> 21:25.400 I do like an outdoor man like that. Trouble is when you get him indoors, he wilts. 21:25.400 --> 21:32.400 This is a palm-pain silk satin ball gown. The handmade roses and blending shades follow 21:32.400 --> 21:38.400 the wrap-over lines of the skirt. Jane, do you think you could get that model's 21:38.400 --> 21:41.400 phone number? Oh, yes, Jimmy. I happen to know her husband 21:41.400 --> 21:44.400 very well. In that case, when you get the number, give 21:44.400 --> 21:50.400 it to him. This is something exciting from the Via Barberina 21:50.400 --> 21:55.400 in the heart of the Italian fashion headquarters. Notice the bulky Italian sweater. 21:55.400 --> 22:00.400 The only trouble is people have been known to look inside and find somebody else in there. 22:00.400 --> 22:05.400 The Bermuda shorts are only for those men who have beautiful dimple knees, like our 22:05.400 --> 22:09.400 handsome model. A garter belt can be worn with this outfit 22:09.400 --> 22:14.400 if you wish to be a conversation piece in the locker room. 22:14.400 --> 22:19.400 That concludes our style show for tonight. You know something, Jane? 22:19.400 --> 22:24.400 I'm disappointed. I've always wanted to go out on a date with a model. 22:24.400 --> 22:27.400 Oh, Jimmy, maybe I can arrange a date for you. 22:27.400 --> 22:37.400 I'm sorry, Miss Powell. I'm not being paid to mingle. 22:47.400 --> 22:54.400 The show about Broadway isn't complete without mentioning Carnegie Hall. 22:54.400 --> 23:00.400 I doubt that any of you remember the first concert performed in that center of culture. 23:00.400 --> 23:04.400 It was performed by one of the most gifted piano teams of the day. 23:04.400 --> 23:07.400 Miss Powell, will you accompany me to the Rastam? 23:09.400 --> 23:14.400 Obviously, these are the first pianists ever used in Carnegie Hall. 23:16.400 --> 23:21.400 Jane, are your fingers limber? Oh, they're just fine, Mr. Durante. 23:21.400 --> 23:25.400 Okay, limber your toes. Ready? 23:25.400 --> 23:26.400 Ready. 23:26.400 --> 23:29.400 A one, a two, a three. 23:37.400 --> 23:41.400 A vet vant's feet don't have this touch. 23:43.400 --> 23:46.400 Say, Miss Powell, you play a beautiful piano. 23:46.400 --> 23:51.400 Why, thank you, Mr. D. I'm going to take a violin lesson so my fingers will have something to do. 23:51.400 --> 23:54.400 You know, you play pretty well yourself. 23:54.400 --> 23:57.400 Why not? I'm playing a roller tower. 23:57.400 --> 24:01.400 You know, this is fun. You and I can form a team. 24:01.400 --> 24:04.400 Say, what would you call the play of piano rats? 24:04.400 --> 24:07.400 Toe and gee, toe and coming toe. 24:07.400 --> 24:08.400 Very cute. 24:08.400 --> 24:14.400 Oh, I never knew any boy like you. 24:14.400 --> 24:16.400 Hold it, hold it, hold it. 24:16.400 --> 24:20.400 It's the first time I ever got corns playing a piano. 24:21.400 --> 24:25.400 You know something, Janie? This kind of music ain't nothing. 24:25.400 --> 24:30.400 Oh, I don't know. I kind of like it, Janie. It reminds me of an 1890 jukebox. 24:30.400 --> 24:35.400 But songs wasn't meant to come out of machines. It's got to come from the heart. 24:35.400 --> 24:43.400 And you know something, Janie? No matter how good you sing, or no matter how loud you sing, it's got to come from here. 24:43.400 --> 24:46.400 Let me illustrate what I mean. 24:47.400 --> 24:59.400 Par l'emboise d'amour, ré-ti-che, la-se-che, la-si-che, cha-cha-cha, cha-cha-cha. 25:01.400 --> 25:02.400 Spanish. 25:02.400 --> 25:04.400 No, that's French. 25:04.400 --> 25:07.400 How do you like that? I sing French too. 25:07.400 --> 25:10.400 Now Janie, try and follow me in this one. 25:10.400 --> 25:38.400 Ochi chonio, ochi chonio, ochi strasno, ochi strasno, ochi kushno, ochi kushno, i pi krasno. 25:38.400 --> 25:43.400 I pi krasno. 25:43.400 --> 25:47.400 Caca bluie bus. 25:49.400 --> 25:51.400 Caca bluie bus? 25:51.400 --> 25:54.400 Yeah. Caca bluie bus. 25:54.400 --> 25:56.400 Was that from the heart? 25:56.400 --> 25:58.400 No, that's from the stomach. 25:59.400 --> 26:01.400 You can't respect me in these things. 26:02.400 --> 26:05.400 Caca bluie bus. 26:05.400 --> 26:10.400 Caca bluie bus. 26:10.400 --> 26:15.400 Caca bluie bus. 26:16.400 --> 26:23.400 Caca bluie bus. 26:23.400 --> 26:38.400 Hey, hey, hey. 26:48.400 --> 26:50.400 Don't you agree with me? 26:50.400 --> 26:53.400 You've got to have heart. 26:53.400 --> 26:55.400 Heart, heart, heart, heart. 26:55.400 --> 26:57.400 Oh, you really need it. 26:57.400 --> 26:59.400 Heart, heart, heart, heart. 26:59.400 --> 27:06.400 When the odds are saying you'll never win, that's when a grin should start. 27:06.400 --> 27:08.400 When your luck is batting zero. 27:08.400 --> 27:10.400 When your luck is batting zero. 27:10.400 --> 27:12.400 Get your chin up off the floor. 27:12.400 --> 27:14.400 Get your chin up off the floor. 27:14.400 --> 27:16.400 Jimmy, you can be a hero. 27:16.400 --> 27:18.400 Jimmy, you can be a hero. 27:18.400 --> 27:20.400 You can open any door. 27:20.400 --> 27:22.400 There's nothing to it but to do it. 27:22.400 --> 27:24.400 You've got to have heart. 27:24.400 --> 27:26.400 Heart, heart, heart, heart. 27:26.400 --> 27:29.400 Heart, heart, heart, heart. 27:29.400 --> 27:32.400 Oh, I could be a genius of color. 27:32.400 --> 27:36.400 But keep that old horse before the car. 27:36.400 --> 27:54.400 First you've got to have heart. 27:54.400 --> 27:56.400 There's nothing to it but to do it. 27:57.400 --> 28:00.400 You've got to have heart. 28:01.400 --> 28:03.400 Miles and miles and miles of heart. 28:03.400 --> 28:06.400 Oh, I could be a genius of color. 28:06.400 --> 28:09.400 But keep that old horse before the car. 28:11.400 --> 28:13.400 First you've got to have heart. 28:13.400 --> 28:32.400 Miles and miles of heart. 28:43.400 --> 28:48.400 Mr. Rogers, may I join you? 28:48.400 --> 28:50.400 Why, certainly, Mr. Durrani. 28:50.400 --> 28:52.400 How about our doing a folk tune? 28:52.400 --> 28:55.400 Why not? After all, we're both folk. 28:55.400 --> 28:57.400 Go ahead, Jimmy. 28:57.400 --> 28:58.400 All right. 28:59.400 --> 29:03.400 Once a jolly swag man camped by a billabong. 29:04.400 --> 29:07.400 Under the shade of a coolabong tree. 29:07.400 --> 29:09.400 Hold it, hold it. 29:09.400 --> 29:12.400 Swag man, billabong, coolabong. 29:12.400 --> 29:14.400 What kind of words are them? 29:14.400 --> 29:16.400 Well, I don't analyze them, Jimmy. 29:16.400 --> 29:17.400 I just sing them. 29:17.400 --> 29:19.400 Actually, this is a song called Waltzing Matilda. 29:19.400 --> 29:21.400 And it's an Australian folk song. 29:21.400 --> 29:25.400 Well, in that case, I'll have to consult my Australian dictionary. 29:26.400 --> 29:29.400 Billabong, billabong, billabong. 29:29.400 --> 29:33.400 Billabong refer to Scalabang. 29:33.400 --> 29:35.400 Scalabang, Scalabang. 29:35.400 --> 29:39.400 Scalabang, same as billabong. 29:39.400 --> 29:41.400 I get it. 29:41.400 --> 29:43.400 Well, Jimmy, actually, it's very easy. 29:43.400 --> 29:45.400 A billabong is a waterhole. 29:45.400 --> 29:47.400 And a scag man is a tramp. 29:47.400 --> 29:49.400 And a coolabong is a eucalyptus tree. 29:49.400 --> 29:51.400 Good, good. 29:51.400 --> 29:54.400 For a moment I thought the song had no message. 29:55.400 --> 29:56.400 Continue. 29:57.400 --> 30:00.400 And he sang and he watched. 30:00.400 --> 30:02.400 And he waited while his billy boiled. 30:02.400 --> 30:03.400 Billy boiled? 30:03.400 --> 30:07.400 That's the Kim Kim for boiling water. 30:07.400 --> 30:09.400 That's the Kim Kim for boiling water. 30:09.400 --> 30:12.400 I can't get used to that kangaroo bop. 30:12.400 --> 30:14.400 Come on, Jimmy, why don't you try a verse? 30:14.400 --> 30:15.400 All right. 30:15.400 --> 30:17.400 Throw a chord at me. 30:18.400 --> 30:24.400 Down came a jam book to drink at the billabong. 30:24.400 --> 30:28.400 This song is Australia's answer to Mac the Knife. 30:30.400 --> 30:32.400 I think you better carry on alone, Jimmy. 30:32.400 --> 30:36.400 Maybe something in English like Tukun-Kun-Kari. 30:36.400 --> 30:37.400 All right. 30:40.400 --> 30:44.400 Tukun-Kun-Kari, Tukun-Kun-Kari, I'll be down in a moment. 30:45.400 --> 30:49.400 Twelve more miles to Tukun-Kari, I'll be hurrying there. 30:49.400 --> 30:54.400 To the gal I'm going to marry with the yellowest hair. 30:54.400 --> 30:58.400 I'll let a bride march along, I just gotta get home. 30:58.400 --> 30:59.400 Just gotta get home. 30:59.400 --> 31:02.400 Ten more miles to Tukun-Kari, then I'll have a more room. 31:02.400 --> 31:06.400 Tukun-Kari, Tukun-Kari, I just gotta get home. 31:06.400 --> 31:11.400 Eight more miles to Tukun-Kari, it's the fourth of July. 31:11.400 --> 31:16.400 Been three years in January since I kissed a goodbye. 31:16.400 --> 31:20.400 Well, let a bride march along, I just gotta get home. 31:20.400 --> 31:21.400 Just gotta get home. 31:21.400 --> 31:24.400 Six more miles to Tukun-Kari, then I'll have a more room. 31:24.400 --> 31:28.400 Tukun-Kari, Tukun-Kari, I just gotta get home. 31:28.400 --> 31:32.400 Four more miles to Tukun-Kari, not much further to go. 31:32.400 --> 31:37.400 I got no time to waste, Tukun-Kari, she'll be waiting, I know. 31:37.400 --> 31:41.400 Well, let a bride march along, I just gotta get home. 31:41.400 --> 31:42.400 Just gotta get home. 31:42.400 --> 31:45.400 Two more miles to Tukun-Kari, then I'll have a more room. 31:45.400 --> 31:49.400 Tukun-Kari, Tukun-Kari, I just gotta get home. 31:49.400 --> 31:54.400 Here I am in Tukun-Kari, bound by yellow-haired gal. 31:54.400 --> 31:59.400 Just in time to see her marry with my very best pal. 31:59.400 --> 32:03.400 Let a bride march along, guess I'd better be gone. 32:03.400 --> 32:04.400 I'd better be gone. 32:04.400 --> 32:07.400 Miles and miles to Tukun-Kari, I'll be rambling on. 32:07.400 --> 32:11.400 Tukun-Kari, Tukun-Kari, I'll be rambling on. 32:11.400 --> 32:15.400 I'm a hundred miles from Tukun-Kari, down in Santa Fe. 32:15.400 --> 32:21.400 Fell in love with a girl they married, gee, I'm happy today. 32:21.400 --> 32:25.400 No more marchin' now, from our honeycomb. 32:25.400 --> 32:29.400 I've forgotten to come carry no more ease in the road. 32:29.400 --> 32:38.400 Tukun-Kari, Tukun-Kari, I've forgotten to come carry no more ease in the road. 32:38.400 --> 32:54.400 And so, and so we leave the beautiful shores of Tukun-Kari and return to Broadway. 32:54.400 --> 32:59.400 Broadway was built by the Dutch settlers in the 17th century. 32:59.400 --> 33:01.400 They called it Reydeweg. 33:01.400 --> 33:08.400 Later on it was changed to Broadway because nobody could be a hit on Reydeweg. 33:08.400 --> 33:12.400 Ray Belger's been a hit in a dozen Broadway shows, 33:12.400 --> 33:15.400 and he's gonna do a number now which demonstrates why. 33:15.400 --> 33:20.400 In this number, he shows the trouble a team can have with cigarettes. 33:20.400 --> 33:32.400 My name is Sledgehammer, private investigator. 33:32.400 --> 33:56.400 I may never finish this case. 33:56.400 --> 34:20.400 Now you decide. 34:20.400 --> 34:44.920 ["The Star-Spangled Banner"] 34:44.920 --> 35:05.680 ["The Star-Spangled Banner"] 35:05.680 --> 35:20.200 ["The Star-Spangled Banner"] 35:20.200 --> 35:45.960 ["The Star-Spangled Banner"] 35:45.960 --> 36:11.220 ["The Star-Spangled Banner"] 36:11.220 --> 36:33.480 ["The Star-Spangled Banner"] 36:33.480 --> 36:59.240 ["The Star-Spangled Banner"] 36:59.240 --> 37:19.480 ["The Star-Spangled Banner"] 37:19.480 --> 37:39.240 ["The Star-Spangled Banner"] 37:39.240 --> 37:53.480 ["The Star-Spangled Banner"] 37:53.480 --> 37:55.880 Ray, that was marvelous! 37:55.880 --> 37:58.720 Oh, thank you, Jimmy. I thought it was, uh, great. 37:58.720 --> 37:59.720 Yes. 37:59.720 --> 38:04.760 Oh, Jimmy, what a character you are. 38:04.760 --> 38:07.160 You know, I think we'd have a lot of fun tonight if we went out and had a little bite each. 38:07.160 --> 38:10.600 No, I'm sorry, Ray. You know, right after the show, we're throwing a party. 38:10.600 --> 38:11.760 Oh, I'll go along. 38:11.760 --> 38:15.160 Oh, wait a minute. I got entertained. What are you gonna do? 38:15.160 --> 38:17.920 Well, I'm gonna entertain with you. I can sing, I can dance, I can juggle. 38:17.920 --> 38:20.720 No, no, no. I need a musician. 38:20.720 --> 38:23.800 Well, you're looking at one. The world's second greatest drummer. 38:23.800 --> 38:25.880 All right. Then you gotta show me. 38:25.880 --> 38:27.720 Oh, well, I'll show you. 38:27.720 --> 38:42.600 ["The Star-Spangled Banner"] 38:42.600 --> 38:50.120 Please. Please. Please. 38:50.120 --> 38:56.520 An unruly voice like that, and I'll have your gift wrapped and crushed at the post office. 38:56.520 --> 38:59.560 What are you lying? Hey, that wasn't in the script. What are you doing? 38:59.560 --> 39:01.640 Hey, now, play your script. 39:01.640 --> 39:03.280 Play the script? I want to play the drums. 39:03.280 --> 39:06.360 We started just a second ago. 39:06.360 --> 39:33.040 ["The Star-Spangled Banner"] 39:33.040 --> 39:36.080 Your voice lends nothing to the performance. 39:36.080 --> 39:38.360 What do you mean, my voice lends nothing to the performance? 39:38.360 --> 39:42.360 Do you realize, Mr. Durante, that when the rich smelter you heard me sing, 39:42.360 --> 39:44.800 he immediately took me under his wing? 39:44.800 --> 39:48.400 Too bad he didn't fly away with you. 39:48.400 --> 39:51.000 It continued as though nothing happened. 39:51.000 --> 39:52.600 Yeah, well, I get the chair. 39:52.600 --> 39:57.120 And the dour when I'm finished, helped get Bob McGamber started. 39:57.120 --> 40:00.680 Why, it wouldn't be the right word to describe her. 40:00.680 --> 40:04.520 She's a little twisted, a little ripped up, a little bit high, a little bit flat. 40:04.520 --> 40:08.120 But every Bob McGamber's smart gal. 40:08.120 --> 40:12.120 She's a little bit, a little bit odd, a little bit old, a little bit gay. 40:12.120 --> 40:15.160 But every Bob McGamber's smart gal. 40:15.160 --> 40:33.720 ["The Star-Spangled Banner"] 40:33.720 --> 40:38.080 He'd do anything to get acquainted. 40:38.080 --> 40:41.480 Mr. Axel Stubberall, let's pick it up from the kitchen. 40:41.480 --> 40:43.480 Oh, it's Axel Stubberall. 40:43.480 --> 40:47.560 Now when I'm out with my gal, I count one, two, three, four, five, six, seven. 40:47.560 --> 40:50.800 Look at the things he toys up with, seven, eight, nine, ten, eleven. 40:50.800 --> 40:53.160 A college graduate. 40:53.160 --> 40:54.400 Tell me if it's Mr. Durante. 40:54.400 --> 40:54.920 Here, I'll take it. 40:54.920 --> 40:56.000 Who's it from? Who's it from? 40:56.000 --> 40:56.720 When will they open it? 40:56.720 --> 40:57.160 How do I know? 40:57.160 --> 40:58.080 It's a regional paper. 40:58.080 --> 40:59.600 I'll look and see. 40:59.600 --> 41:00.560 It's from Mr. Steinway. 41:00.560 --> 41:01.800 What does he want? What does he want? 41:01.800 --> 41:07.280 He wants you to scratch his name off his piano. 41:07.280 --> 41:17.360 All right, we'll accommodate you, Mr. Steinway. 41:17.360 --> 41:19.440 Here, mail his name back to him. 41:19.440 --> 41:22.120 Here. 41:22.120 --> 41:25.920 We'll start again, Mr. Stubberall. 41:25.920 --> 41:27.640 Wait a minute. 41:27.640 --> 41:37.600 Now, we've committed what we would say in our thing. 41:37.600 --> 41:40.680 We've entitled ourselves to a little autopsy. 41:40.680 --> 41:45.840 Let her get waving more. 41:45.840 --> 41:52.040 Just a little bit. 41:52.040 --> 42:02.360 Love is a very splendid thing. 42:02.360 --> 42:06.440 Everywhere you go, Marie Callas. 42:06.440 --> 42:08.520 Well, Jim, I do the singing. 42:08.520 --> 42:12.400 You just lay dominant. 42:12.400 --> 42:13.160 Start again. 42:13.160 --> 42:14.600 Yes, sir. 42:14.600 --> 42:35.960 You're drowning my melody. 42:35.960 --> 42:36.840 How can I drown? 42:36.840 --> 42:39.760 It just went down for the third time. 42:39.760 --> 42:43.640 He plays piano by nose. 42:43.640 --> 42:45.000 It's just a short tune. 42:45.000 --> 42:47.360 Mr. Bulger, let's go home. 42:47.360 --> 42:49.440 I mean, I should have stood at home. 42:49.440 --> 43:08.520 Yes, it's something. 43:08.520 --> 43:11.800 Thank you, Bulger. 43:11.800 --> 43:17.680 You know, you know, Christmas time calls 43:17.680 --> 43:19.760 for a special kind of gift. 43:19.760 --> 43:22.760 Get her a Lady Schaefer fountain pen. 43:22.760 --> 43:25.000 But don't put it in a stocking unless you 43:25.000 --> 43:26.240 can write with her toes. 43:30.240 --> 43:33.360 For Christmas this year, here's the most glamorous new gift 43:33.360 --> 43:34.720 you can give a woman. 43:34.720 --> 43:40.880 The world's most beautiful fountain pen, a Lady Schaefer. 43:40.880 --> 43:45.560 It writes like a dream, and it refills like her lipstick. 43:45.560 --> 43:48.560 Just drop in a handy cartridge of script writing fluid, 43:48.560 --> 43:51.920 and you're ready to write ever so smoothly. 43:51.920 --> 43:56.880 It writes like a dream, and it refills like her lipstick. 43:56.880 --> 43:59.720 The Lady Schaefer fountain pen. 43:59.720 --> 44:03.120 See the entire collection of Lady Schaefer fountain pens 44:03.120 --> 44:09.320 from $10 and matching Lady Schaefer pencils from $4.95. 44:09.320 --> 44:15.320 Fashion fountain pens in patterns of tweed, corduroy, 44:15.320 --> 44:17.760 and paisley. 44:17.760 --> 44:23.120 Fascinating tool pattern in ivory or vivid mandarin red, 44:23.120 --> 44:26.560 jet black, and gold. 44:26.560 --> 44:32.480 Golden moiré, silvered satin, and damask. 44:32.480 --> 44:35.560 Lovely Lady Schaefer fountain pens. 44:35.560 --> 44:40.200 And for everyone in the family, for wonderful gift ideas 44:40.200 --> 44:44.520 from just $3.95, look for this handy shopping guide 44:44.520 --> 44:47.800 in the magazine section of today's newspaper. 44:47.800 --> 44:51.320 Here you'll find a whole page of Schaefer gift ideas 44:51.320 --> 44:53.120 in full color. 44:53.120 --> 44:55.400 From Schaefer's famous snorkel pens 44:55.400 --> 44:59.920 to one of Schaefer's beautiful new Lenox China writing sets. 44:59.920 --> 45:03.240 And of course, the lovely Lady Schaefer fountain pen. 45:03.240 --> 45:06.000 Look for this display when you do your Christmas shopping. 45:06.000 --> 45:09.280 A whole collection of Lady Schaefer fountain pens. 45:09.280 --> 45:12.120 The most glamorous new gift you can give a woman. 45:15.800 --> 45:18.640 Now that I've selected a Schaefer pen, 45:18.640 --> 45:21.560 I'm tempted to learn to write. 45:21.560 --> 45:24.200 Folks in the entertainment business, 45:24.200 --> 45:27.560 or for that matter, in any other business, 45:27.560 --> 45:29.880 try to keep in a swing. 45:29.880 --> 45:36.880 No matter how old you are, fairy tales can come true. 45:36.880 --> 45:42.280 It can happen to you if you're young at heart. 45:45.280 --> 45:51.680 For it's hard, you will find, to be narrow of mind. 45:51.680 --> 45:59.160 If you're young at heart, you can go to extremes 45:59.160 --> 46:01.840 with impossible schemes. 46:01.840 --> 46:07.480 You can laugh when your dreams fall apart at the seams. 46:07.480 --> 46:13.120 And life gets more exciting with each passing day. 46:13.120 --> 46:18.640 And love is either in your heart or on its way. 46:18.640 --> 46:25.000 Don't you know that it's worth every treasure on earth 46:25.000 --> 46:29.520 to be young at heart? 46:29.520 --> 46:36.080 For as rich as you are, it's much better by far 46:36.080 --> 46:40.240 to be young at heart. 46:40.240 --> 46:48.600 And if you should survive to 105, look at all you derive out 46:48.600 --> 46:51.080 of being alive. 46:51.080 --> 46:54.080 Now here is the best part. 46:54.080 --> 47:00.560 You have a head start if you are amongst the very young 47:00.560 --> 47:01.560 at heart. 47:07.560 --> 47:09.560 If you're young at heart. 47:18.040 --> 47:20.040 If you're young at heart. 47:20.040 --> 47:28.040 And if you should survive to 105, look at all you derive out 47:28.040 --> 47:29.040 of being alive. 47:33.040 --> 47:36.520 Now here is the best part. 47:36.520 --> 47:46.040 You have a head start if you are amongst the very young 47:46.040 --> 47:53.520 at heart. 47:53.520 --> 48:10.520 Mr. Boulders, who was George M. Cohen? 48:10.520 --> 48:13.520 Who was Mr. Cohen? 48:13.520 --> 48:17.520 George M. Cohen happened to be Mr. Broadway himself. 48:17.520 --> 48:20.520 You know, Eddie, I was just about your age 48:20.520 --> 48:22.520 when I met Mr. Cohen. 48:22.520 --> 48:27.520 He represented an era that keeps on living because of his music. 48:27.520 --> 48:31.520 Wherever people are, whenever they hear a George M. Cohen 48:31.520 --> 48:34.520 song, Broadway becomes as familiar to them 48:34.520 --> 48:48.520 as any street in their own hometown. 48:48.520 --> 48:50.520 I'm the kid that's all the candy. 48:50.520 --> 48:52.520 I'm a Yankee Doodle dandy. 48:52.520 --> 48:53.520 I'm glad I am. 48:53.520 --> 48:55.520 So's Uncle Sam. 48:55.520 --> 48:57.520 I'm a real-life Yankee Doodle. 48:57.520 --> 48:59.520 Made his name in Raymond Boodle. 48:59.520 --> 49:03.520 Just like Mr. Doodle did by riding on a pony. 49:03.520 --> 49:06.520 I'm a Yankee Doodle dandy. 49:06.520 --> 49:10.520 A Yankee Doodle do or die. 49:10.520 --> 49:14.520 A real-life nephew of my Uncle Sam. 49:14.520 --> 49:17.520 Born on the port of just one morning's day. 49:17.520 --> 49:21.520 I've got a Yankee Doodle sweetheart. 49:21.520 --> 49:25.520 She's my Yankee Doodle, George. 49:25.520 --> 49:29.520 Yankee Doodle came to London just to ride the pony. 49:29.520 --> 49:31.520 I am a Yankee Doodle. 49:31.520 --> 49:35.520 I am the Yankee Doodle dog. 49:35.520 --> 49:42.520 I am the Yankee Doodle dog. 49:42.520 --> 49:46.520 My mother's name was Mary. 49:46.520 --> 49:51.520 She was so good and true. 49:51.520 --> 49:57.520 Because her name was Mary. 49:57.520 --> 50:03.520 They called me Mary too. 50:03.520 --> 50:09.520 For it is Mary, Mary. 50:09.520 --> 50:13.520 Plain as any name can be. 50:13.520 --> 50:23.520 But with the quieting society will say, Marie. 50:23.520 --> 50:29.520 But it was Mary, Mary. 50:29.520 --> 50:33.520 Long before the passions came. 50:33.520 --> 50:38.520 There is something there. 50:38.520 --> 50:43.520 That sounds so square. 50:43.520 --> 50:51.520 It's a grand old name. 50:51.520 --> 50:56.520 They're singing Mary, Mary. 50:56.520 --> 51:00.520 Plain as any name can be. 51:00.520 --> 51:10.520 But with the quieting society will say, Marie. 51:10.520 --> 51:16.520 But it was Mary, Mary. 51:16.520 --> 51:20.520 Long before the passions came. 51:20.520 --> 51:24.520 And there is something there. 51:24.520 --> 51:28.520 That sounds so square. 51:28.520 --> 51:37.520 It's a grand old name. 51:37.520 --> 51:40.520 Applause 51:40.520 --> 51:43.520 Where is that Doodle, Doodle, Doodle, Doodle? 51:43.520 --> 51:47.520 Oh, there you are. 51:47.520 --> 51:51.520 Who is a man who will spend or will even lend? 51:51.520 --> 51:53.520 Harrigan? 51:53.520 --> 51:56.520 That's me. 51:56.520 --> 52:00.520 Who is your friend every time that you need a friend? 52:00.520 --> 52:01.520 Harrigan? 52:01.520 --> 52:04.520 Ha ha, that's me. 52:04.520 --> 52:07.520 Well, I'm just as proud of my name, you see. 52:07.520 --> 52:11.520 As a president, or any king could be. 52:11.520 --> 52:15.520 Who is a man helps a man every time he can? 52:15.520 --> 52:16.520 Harrigan. 52:16.520 --> 52:18.520 Ha ha, that's me. 52:18.520 --> 52:19.520 Spell it for me, Eddie. 52:19.520 --> 52:26.520 H-H-double-R-I-G-H-N, Bill Harrigan. 52:26.520 --> 52:31.520 Ha ha, proud of all the Irish blood that's in me. 52:31.520 --> 52:34.520 Give me a man can say a word again me. 52:34.520 --> 52:35.520 Spell it again me boy. 52:35.520 --> 52:42.520 H-H-double-R-I-G-H-N, you see. 52:42.520 --> 52:43.520 Thank you kindly. 52:43.520 --> 52:47.520 Who is a name that the shame never has been connected with? 52:47.520 --> 52:48.520 Harrigan. 52:48.520 --> 52:51.520 Ha ha, that's me. 52:51.520 --> 52:54.520 Now this is me. 52:54.520 --> 53:01.520 H-H-double-R-I-G-H-N, spells Harrigan. 53:01.520 --> 53:04.520 Proud of all the Irish blood that's in him. 53:04.520 --> 53:05.520 Ha ha, I see that. 53:05.520 --> 53:08.520 Devil a man can say your word again him. 53:08.520 --> 53:09.520 Eddie, spell it with me. 53:09.520 --> 53:16.520 H-H-double-R-I-G-H-N, you see. 53:16.520 --> 53:20.520 It's a name that a shame never has been connected with. 53:20.520 --> 53:21.520 Harrigan. 53:21.520 --> 53:22.520 Let me hear it again. 53:22.520 --> 53:23.520 Harrigan. 53:23.520 --> 53:24.520 Harrigan. 53:24.520 --> 53:25.520 What's that you're saying? 53:25.520 --> 53:26.520 Harrigan. 53:26.520 --> 53:28.520 Oh. 53:28.520 --> 53:30.520 Ha ha, Harrigan. 53:30.520 --> 53:32.520 That's me. 53:32.520 --> 53:39.520 Ha ha, Harrigan. 53:39.520 --> 53:47.520 H-H-double-R-I-G-H-N, spells Harrigan. 53:47.520 --> 53:51.520 Proud of all the Irish blood that's in him. 53:51.520 --> 53:52.520 Ha ha, I see that. 53:52.520 --> 53:55.520 Devil a man can say your word again me. 53:55.520 --> 54:03.520 But it was very, very long, you see. 54:03.520 --> 54:12.520 And there is something there that sounds so square. 54:12.520 --> 54:16.520 M-A-R-Y. 54:16.520 --> 54:19.520 H-H-double-R-I-G-H-N. 54:19.520 --> 54:22.520 Mary Harrigan. 54:22.520 --> 54:30.520 It's a grand old name. 54:30.520 --> 54:38.520 Remember me to Herod Square. 54:38.520 --> 54:45.520 Tell all the gang at 42nd Street that I will soon be there. 54:45.520 --> 54:52.520 Now whisper of how I'm yearning to mingle with that old-time throng. 54:52.520 --> 55:02.520 Give my regards to old Broadway and say that I'll be there at all. 55:02.520 --> 55:07.520 See the cat may be waving the flag that began. 55:07.520 --> 55:11.520 Pack the Georgia coal and hip hooray. 55:11.520 --> 55:17.520 See American way, the world is the stage. 55:17.520 --> 55:29.520 The stage is the world of entertainment. 55:29.520 --> 55:43.520 Folks, I suggest those of you who want a shaper pen for Christmas, go out now. 55:43.520 --> 56:00.520 And if you don't get a shaper pen for Christmas, write to Santa Claus asking for a shaper pen for Christmas. 56:13.520 --> 56:20.520 It's a shaper P-F-M. The pen for men by shaper. 56:20.520 --> 56:23.520 The newest gift you can give a man. 56:23.520 --> 56:26.520 And man how men go for it. 56:26.520 --> 56:33.520 Why just one look tells you shaper's P-F-M has what it takes to be any man's lifetime friend. 56:33.520 --> 56:37.520 It's bold, neat, handsome, rugged. 56:37.520 --> 56:39.520 That's P-F-M. 56:39.520 --> 56:44.520 It's got some heft to it and it fits a man's grip because it was made for him. 56:44.520 --> 56:51.520 And here at last is a pen that writes the way a man's pen should with a world's only inlaid point. 56:51.520 --> 56:54.520 This one's 14 carat solid gold. 56:54.520 --> 56:57.520 Go ahead, bear down on it if you like. 56:57.520 --> 57:00.520 The point for man is really rugged. 57:00.520 --> 57:10.520 And because men prefer it, the P-F-M fills shaper's exclusive snorkel pen way and loads up the massive capacity barrel slick as a whistle. 57:10.520 --> 57:11.520 Yes sir. 57:11.520 --> 57:20.520 From P-F-M's loss proof clip to the way it rides free and easy in a man's pocket, it's every inch a man's pen. 57:20.520 --> 57:22.520 Shaper's pen for men. 57:22.520 --> 57:25.520 You've seen it in your favorite magazines and newspapers. 57:25.520 --> 57:29.520 Tomorrow, see and try it at your favorite store. 57:29.520 --> 57:32.520 Pen for men prices start at $10. 57:32.520 --> 57:39.520 The set with matching pencil for men in this handsome presentation box from just $14.95. 57:39.520 --> 57:41.520 Shaper's P-F-M. 57:41.520 --> 57:46.520 It's the newest, most exciting gift you can give a man. 57:50.520 --> 57:54.520 And now folks, that's it for Broadway. 57:54.520 --> 57:57.520 Good night to all of you. 57:57.520 --> 58:01.520 And good night, Mrs. Calabash, where's everyone? 58:01.520 --> 58:28.520 Next week at this time, see the indestructible Mr. Gold starring William Shatner, E.G. Marshall, and special guest star, Inger Stevens on Sunday Showcase in Color. 58:31.520 --> 58:33.520 Good night. 58:42.520 --> 58:50.520 With my regards to Broadway, starring Jimmy Durante has been brought to you by the Shaper Pen Dealers, who feature the glamorous Lady Shaper Pen and Pencil Ensembles. 58:50.520 --> 59:12.520 And Shaper's P-F-M, pen for men, newest gift you can give a man.